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آوانگارد نوین
The number of modern avant-garde artworks that were featured dominated over the presence of contemporary artists.
Among the modern avant-garde works there was a concentration on early modern Constructivist, Dadaist, and Futurist artists, which included key art historical works from the early twentieth century that represented the machine aesthetic within modern art and modern mechanical movement.
Consequently the biennale drew together an art historical construction that reified the spirit of revolution with the modern avant-garde, and undermined contemporary art as a site for political engagement (Desmond 2008, p. 5).
Unlike Bourriaud's proposition of a new modernity, which he called 'altermodern' (2009), she is concerned with the contemporary artists that signify one of many returns to modern avant-garde tendencies such mechanical aesthetics, and the use of shock, chaos, and repetition.
By exhibiting a higher concentration of modern avant-garde than contemporary art, construction of contemporary art history that depends on the above-mentioned modern tropes is emphasised.
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